In the 1970s, Toad Hall was more than a gay bar. It was an institution, despite burning down four times in less than a decade. It became so popular amongst the gays that it helped establish the Castro as the gay Mecca, not just in San Francisco but worldwide.
"TOAD HALL was the first dance bar in the Castro and was one of the first bars anywhere to use taped music instead of a jukebox, not just taped music but well-planned programs of songs that flowed into each other seamlessly. When the other bars began to catch up, TOAD HALL installed a booth and hired a DJ; another major step in providing the best entertainment for the patrons. At that time, most gay bars were governed by greed. Gays were happy to have ANY place to meet and were at the mercy of slumlords who would accept them. We learned to put up with rundown places in seedy locations, run by people who didn't care about us and were unwilling to make repairs and improvements. TOAD HALL welcomed us with a warm friendly smile into a clean, well-decorated establishment. So it is not unrealistic to think that gays would flock to the Castro from all over the City (and beyond) to visit TOAD HALL, and in doing so would become charmed by the beauty of the neighborhood."
At the time, Toad Hall was located on Castro Street near the corner of 18th Street, which would later become The Phoenix but was eventually annexed by Walgreen's (which is now the upstairs area).
But now Toad Hall is back. Sort of.
A few years ago, Les Natali purchased the Pendulum, a largely African American bar across the street from his own bar Badlands. After closing it for what was expected to be a brief remodel, it remained closed for a few years, almost re-opening as the 18th Street Bar. But then Gus Van Sant came to town to film Milk, temporarily remodeling 440 Castro (formerly known as Daddy's) into the bar that had become an icon for the neighborhood:
Natali decided to capitalize on the 70s sentiment -- as well as the free marketing Milk would provide -- and acquired the rights to the name.
And now the new Toad Hall, located at 4146 18th Street, re-opened yesterday after years of delay.
It may be too early to tell what the new bar will bring. It has a DJ booth but -- like the original Toad Hall -- doesn't have a dance license, which means it won't exactly be like Natali's other bar, Badlands, across the street. It has a red-drenched back patio so smokers won't have to be forced onto the sidewalk, so in that sense it's almost like a more polished version of The Mix. And in fact, when we went it was mostly regulars from The Mix who were there.
The Castro bars are undergoing waves of renovations at the moment (more on that in a future post), so right now the neighborhood's nightlife regulars are a bit in flux. It will be interesting to see how it shakes out.
More photos from Toad Hall's opening:






Recent Comments